|
|
|
|
Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
|
Anthony Van Dyck Dutch
1599-1641
Anthony Van Dyck Locations
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters. |
|
|
|
|
|
|
Anthony Van Dyck Edward Knowles oil on canvas
114.5 x 94 cm
cyf
|
|
|
|
|
|
|
|
|
|
Anthony Van Dyck Portrait of a Man circa 1619(1619)
Medium oil on canvas
Dimensions 199 X 126 cm
cyf
|
|
|
|
|
|
|
|
|
|
Anthony Van Dyck An Apostle with Folded Hands 1618-20
Medium oil on panel
cyf
|
|
|
|
|
|
|
|
|
|
Anthony Van Dyck Lady Dacre Oil on Canvas. 50 x 40 in. (132 x 105.5 cm).
Date 1633(1633)
cyf
|
|
|
|
|
|
|
|
|
|
Anthony Van Dyck St Jerome Oil on canvas
Dimensions 215 x 195 cm
cyf
|
|
|
|
|
|
|
|
|
|
Anthony Van Dyck Portrait of the one armed painter Marten Rijckaert circa 1630(1630)
Medium oil on canvas
Dimensions 138 X 114 cm
cyf
|
|
|
|
|
|
|
|
|
|
Anthony Van Dyck Portrait of William Russell 1640
Medium oil on canvas
Dimensions 103 X 82.5 cm
cyf
|
|
|
|
|
|
|
|
|
|
Anthony Van Dyck Christ supported by angels 1640-1650
Medium oil on canvas
cyf
|
|
|
|
|
|
|
|
| |
|
|
Anthony Van Dyck
|
Dutch
1599-1641
Anthony Van Dyck Locations
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.
|
|
|
|
|
|